It also adds subtle harmonic saturation, and more sample limiting. Enhances increases perceived loudness by further shaping the dynamic content of a mix. The limiter is a high-quality offering without it, but this control lets the plugin really shine. Finally, the Output stage includes this limiter’s most unique feature-an Enhance control.Įnhance is a crucial part of the Oxford design. In the Pre-Process module you’ll find attack, release, and soft-knee parameters, as well as a handy auto-gain button for gain reduction. At the Input stage you can control the amount of input gain being sent to Oxford, as well as adjust the threshold. Its pleasant blue GUI is laid out in three easy-to-navigate sections: Input, Pre-Process, and Output. It’s easy to see why many engineers gravitate towards the Oxford Limiter by Sonnox.
Transients disappear, audible pumping occurs, and at worst, distortion. It’s hard to do, because limiting can oftentimes introduce hard clipping which squashes a mix and sucks the life out of it. Most of the competition in the limiting plugin category promises increased loudness, transparency, and presence. Video can’t be loaded because JavaScript is disabled: Sonnox Oxford Inflator and Limiter Review & Giveaway – Warren Huart: Produce Like A Pro ()
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